“An Eastern European Ridley Scott… the commentary that is cultural of oeuvre is universalist… their future is our now.” – Ela Bittencourt
“The Polish ‘cinema of anxiety’ soars from this globe into the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal
Movie at Lincoln Center is happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many filmmakers that are revolutionary September 6-8.
A director, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently encountered censorship from the Polish Communist regime for the belated ’70s and very early ’80s for their unabashedly governmental works. Szulkin’s profoundly imaginative movies can be looked at as existential stories, absurdist parables, or premonitions about contemporary society’s hostility additionally the evils of totalitarianism online ukrainian brides. Drawing from 20th-century philosophy and Polish literature that is medieval speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to generate shockingly iconoclastic technology fiction films. Referred to as “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made films which were hardly ever seen outside of their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present worldwide governmental environment.
Among the biggest retrospectives of their work up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand new electronic restorations and brought in movie prints. The series showcases each of Szulkin’s features, including their audacious cult classic Golem , usually considered a precursor to Blade Runner ; The War for the Worlds: Next Century, a reimagining of this H.G. Wells novel as well as an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the finish of Civilization , which follows the residual survivors of a nuclear apocalypse while they watch for a mythical Ark to truly save them from their serious situation; Szulkin’s research of feminine sex into the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship while he is delivered for a objective up to a authorities state hell earth; and Szulkin’s last movie, King Ubu , in line with the 19th-century Albert Jarry play, a brutal commentary on modern Poland when you look at the aftermath regarding the Communism Szulkin criticized throughout their career. Furthermore, the retrospective will emphasize Szulkin’s film that is short, like the folklore-inspired morality play Dziewce z ciortem plus the documentary Working Women .
Presented in collaboration using the Polish Cultural Institute nyc.
Arranged by Florence Almozini and Tyler Wilson.
Tickets carry on sale Thursday, August 15 and generally are $15; $12 for pupils, seniors (62+), and people with disabilities; and ten dollars for movie at Lincoln Center people. Save with all the purchase of three seats or higher.
Acknowledgments: Polish Cultural Institute Nyc; Daniel Bird
FILMS & DESCRIPTIONS All tests happen during the Walter Reade Theater (165 western Street that is 65th otherwise noted.
Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a prolonged company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey searching for sexual satisfaction, leading her into increasingly deranged, sinister realms as memories from her childhood mingle with fever-dream seductions. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of the lusty Joseph Stalin to a couple of shockingly randy puppets—as it savages faith, their state, and also the notion of the family that is nuclear.
Preceded by: brand brand brand New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious labor. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm
Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic satire that is dystopian. In the next where life on the planet is becoming so wonderful that only prisoners are employed for the dangerous company of room research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is sent on an apparently condemned objective to a planet that is uncharted. Upon their arrival, he discovers some sort of curiously such as a dilapidated, postapocalyptic world, where he could be welcomed because of the population as a “hero,” an ignominious honor, he quickly learns, that is included with a many barbaric fate. Using the film’s properly nonsensical name from the babble of their infant child, Szulkin provides a bleakly acerbic commentary regarding the absurdity of life in a authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm
Brand brand New restoration that is digital Poland, 1980, 92m Polish with English subtitles in certain dystopian future, experts make an effort to produce a brand new, flexible battle of people. a seemingly ordinary item associated with the work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring while he goes about their life amidst drab Soviet bloc architecture. Szulkin’s bold function first, styled in sepia tones and dramatic illumination, happens to be known as a precursor to Blade Runner , but its name additionally appears back again to a more ancient misconception of creation and morality.
Preceded by: brand brand New digital restoration The Gal together with Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play in regards to a sinful woman’s encounter aided by the devil, set into the Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm
New restoration that is digital Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere considering Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last film is a crazy, carnivalesque commentary on post-Communist Poland for which drunken degenerate Ubu (Jan Peszek) seizes control of the monarchy in a supposedly “democratic” takeover (his signature policy: universal free alcohol) and then institute his or her own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a brand new dosage of dark, post-Soviet cynicism, King Ubu is an incendiary summative statement from an artist whom devoted their profession to lobbing grenades during the equipment of totalitarian corruption that is political. Sunday, September 8, 6:00pm
New digital renovation O-Bi, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted to a squalid underground bunker where survivors toil desperately to uphold the final vestiges of civilization. They have been spurred in by their fervent belief in a fabled Ark that may deliver them from their living hell—a misconception propagated by the powers that be, and distribute, in part, because of the increasingly disillusioned smooth (Jerzy Stuhr) as he tries to prevent total collapse. Employed in an expressionistically grimy, grey- and palette that is blue-toned Szulkin crafts a shattering existential parable concerning the false claims of politics and religion that plays away like a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm
brand New electronic renovation The War for the Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles specialized in both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts utilizing the Christmastime takeover of Poland by a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) given that vocals of these 1984 -esque propaganda device. Nevertheless when Iron dares to set off message, he makes an enemy even higher than the aliens: the continuing state it self. Released just like Poland was being plunged into martial legislation and straight away prohibited, The War regarding the Worlds: Next Century is just a disturbingly prescient allegory of energy, control, and news manipulation in a world that is post-truth. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm